twinstwin_cities.htmlshapeimage_1_link_0
camouflage  chairs
objects
landscapes
stories
urban arcadiaurban_arcadia.htmlurban_arcadia.htmlshapeimage_6_link_0shapeimage_6_link_1
horizon #4horizon_3_forest.htmlshapeimage_7_link_0
naturenature.htmlshapeimage_8_link_0
forestforest.htmlforest.htmlshapeimage_9_link_0
horizon  #2 
prairehorizon_2_praire.htmlhorizon_2_praire.htmlshapeimage_10_link_0shapeimage_10_link_1
mountain music
cabin.et in arcadiacabinet_in_arcadia.htmlcabinet_in_arcadia.htmlshapeimage_12_link_0shapeimage_12_link_1
cabin.etcabin.et.htmlshapeimage_13_link_0
mouldings
atlas
arcadia
campsitecampsite.htmlshapeimage_16_link_0
waitingwaiting.htmlshapeimage_17_link_0
sub-aquatic
utopiasub_aquatic_utopia.htmlsub_aquatic_utopia.htmlshapeimage_18_link_0shapeimage_18_link_1
urban arboretumurban_arboretum.htmlurban_arboretum.htmlshapeimage_19_link_0shapeimage_19_link_1
city without wordscity_without_words.htmlcity_without_words.htmlcity_without_words.htmlshapeimage_20_link_0shapeimage_20_link_1shapeimage_20_link_2
atlas talkatlas_talk.htmlatlas_talk.htmlshapeimage_21_link_0shapeimage_21_link_1
communicating architecture
transcendental architecturetranscendant_architecture.htmltranscendant_architecture.htmlshapeimage_23_link_0shapeimage_23_link_1
mirrored architecturemirrored_architecture.htmlmirrored_architecture.htmlshapeimage_24_link_0shapeimage_24_link_1
trailer housetrailer_house.htmltrailer_house.htmlshapeimage_25_link_0shapeimage_25_link_1
pastoral furniturepastoral_furniture.htmlpastoral_furniture.htmlshapeimage_26_link_0shapeimage_26_link_1
plywood inlayplywood_marqetry.htmlplywood_marqetry.htmlshapeimage_27_link_0shapeimage_27_link_1
container legscontainer_legs.htmlcontainer_legs.htmlshapeimage_28_link_0shapeimage_28_link_1
plywood/perspex objectsply_perspex_transitional_object.htmlply_perspex_transitional_object.htmlshapeimage_29_link_0shapeimage_29_link_1
historical surfaces
festival of britain container stackfestival_of_britain_container_high_rise.htmlfestival_of_britain_container_high_rise.htmlfestival_of_britain_container_high_rise.htmlfestival_of_britain_container_high_rise.htmlshapeimage_31_link_0shapeimage_31_link_1shapeimage_31_link_2shapeimage_31_link_3
architrope 
atlasarchitrope_atlas_page.htmlarchitrope_atlas_page.htmlshapeimage_32_link_0shapeimage_32_link_1
architrope
libraryarchitrope_library_catalogue.htmlarchitrope_library_catalogue.htmlshapeimage_33_link_0shapeimage_33_link_1
architropearchitrope.htmlshapeimage_34_link_0
twilight architeccture
bodgersurban_bodger.htmlshapeimage_36_link_0
motorway bridgesmotorway_bridge.htmlmotorway_bridge.htmlshapeimage_37_link_0shapeimage_37_link_1
tattooed housetattooed_pavillion.htmltattooed_pavillion.htmlshapeimage_38_link_0shapeimage_38_link_1
dungenessdungeness.htmlshapeimage_39_link_0
illuminated architecture
dom’s stovebunny_mark_and_me.htmlshapeimage_41_link_0
bureau de changebureau_de_change.htmlbureau_de_change.htmlshapeimage_42_link_0shapeimage_42_link_1
Objectsobjects_made_of_words_2.htmlshapeimage_43_link_0
cabin-et afloatmarket.htmlshapeimage_44_link_0
sleeping head
wooden
boatwooden_boat.htmlwooden_boat.htmlshapeimage_46_link_0shapeimage_46_link_1
viewpointviewpoint.htmlshapeimage_47_link_0
objects made of wordsobjects_made_of_words_1.htmlobjects_made_of_words_1.htmlshapeimage_48_link_0shapeimage_48_link_1
rock diary
photos
of currency
tom’s
miscellaneatoms_misc.htmltoms_misc.htmlshapeimage_51_link_0shapeimage_51_link_1
plate
collection
too far from home
table stories
things that are,
have been
or will be
signs and borders
isla
graciosaisla_graciosa.htmlisla_graciosa.htmlshapeimage_57_link_0shapeimage_57_link_1
virtual object
wolseleythomas/mr
link house
caveman
bill
thamesthames.htmlshapeimage_62_link_0
stereo image of geological specimens
reproduction;
cactus/photocactus.htmlcactus.htmlshapeimage_64_link_0shapeimage_64_link_1
images of tickets/receiptstickets_and_receipts.htmltickets_and_receipts.htmlshapeimage_65_link_0shapeimage_65_link_1
and a green
glass wall
miradormirador.htmlshapeimage_67_link_0
swamp
plate
images
border
townborder_town_01.htmlborder_town_01.htmlshapeimage_70_link_0shapeimage_70_link_1
tourist phototourist_photo.htmlshapeimage_71_link_0
reflexive
camerareflexive_camera.htmlreflexive_camera.htmlshapeimage_72_link_0shapeimage_72_link_1
betweenbetween.htmlbetween.htmlshapeimage_73_link_0
island x2
airport
residency
bunny, mark and me
island;
new york
double
blinddouble_blind.htmldouble_blind.htmlshapeimage_78_link_0shapeimage_78_link_1
island
furniture
formicacamilla.htmlshapeimage_80_link_0
mountainmountain.htmlmountain.htmlshapeimage_81_link_0
pneumatic
claude glasspneumatic_claude_glass.htmlpneumatic_claude_glass.htmlshapeimage_82_link_0shapeimage_82_link_1
absent architectureabsent_architecture.htmlabsent_architecture.htmlshapeimage_83_link_0shapeimage_83_link_1
londoners berlintwin_cities.htmltwin_cities.htmlshapeimage_84_link_0shapeimage_84_link_1
horizon
colonial
exile
origamy
chair
empty 
roomempty_room.htmlempty_room.htmlshapeimage_88_link_0shapeimage_88_link_1
perspective towerperspective_tower.htmlperspective_tower.htmlshapeimage_89_link_0shapeimage_89_link_1
animal architecturesub_aquatic_utopia.htmlsub_aquatic_utopia.htmlshapeimage_90_link_0shapeimage_90_link_1
coracle
housecoracle_house.htmlcoracle_house.htmlshapeimage_91_link_0shapeimage_91_link_1
you are hereyou_are_here.htmlshapeimage_92_link_0
transitional spaces
a journey from memory
here, there
and elsewhere
horizonhorizon_a.htmlshapeimage_96_link_0
misc
sounds
island x2
pamphletspamphlets.htmlshapeimage_99_link_0
transitional architecturetransitional_architecture.htmltransitional_architecture.htmlshapeimage_100_link_0shapeimage_100_link_1
ATLAS
dialoguegesticulating.htmlshapeimage_102_link_0
elsewhereelsewhere.htmlshapeimage_103_link_0
Harchitrope_atlas.html
if one thing were another
names of people
tattoed huttattooed_hut.htmlshapeimage_107_link_0
architrope_atlas.html
take
off
‘in memory of the future’ 5 mins video loop, made on the Hetgate Estate, a postwar housing estate in south London.

The Heygate and adjacent Aylesbury estates, built in the early 70’s are prime example of post war modernism. Built on bomb damaged wasteland, what was not destroyed by the luftwaffe was cleared for the site of a dream, a post war dream of the future. Now the Heygate is coming down, after a life span of 50 years the aerial walkways, the communal heating system, the tower blocks and low rise garden flats are all coming down.

I have been walking through this estate for ten years, over the aerial walkways, to the tube from my house. It is the scenic route when I have time. I have enjoyed the multitude of contradictions it somehow brings to mind, between desires for utopia in its conception to the entropy that followed. When I built my own house nearby my building inspector was in charge of these buildings. He told me how the prefab units that where inset into the frames were bolted on with one bolt a side rather than the required four and that he wouldn’t live in the Heygate for safety reasons, quite apart from anything else. The flats are actually over size inside and very nice but the image of the place is ubiquitous in the media, cop shows adverts, etc whenever they need an urban dystopian location. The extent to which the design, the upkeep, or the social mix is responsible for this is an interesting discussion, but the result can not be argued with. A friend who lived there made sure she was back in her flat by nightfall and did not venture out after that. 
I  have recorded myself wondering the walkways with binaural microphones (in ear microphones that give you an uncanny sensation of presence, in the place recorded, you can almost feel your body in space). At the same time I took photographs, intermittently of the vanishing point of the external balconies running the length of the building, the aerial walkways, the sheer sides of the rising tower blocks. Actually I ran round the estate, the rhythm of my breathing and footsteps an audible reminder of my body in the space, a background rhythm to the photos, which flash up and fade to black again before the next image, revealing for a moment the visual surrounding of the sound field being listened to, and by the light of the image the audience of a room otherwise dark with a video projection. In the intervening darkness I hope the viewer, denied the orientation of sight will returns to perceiving the environment through sound and a tactile awareness of their own bodies in the darkness of  the projection room.
The running gives a sense of urgency, a chase scene, a rushed documentation as well as making explicit the body behind the camera in this utopian / dystopian space. The images like flashes of memory or a brief vision of the future question the linearity of vision born during two world wars, and the desire to transcend this history for a new utopia. The breathing and running soundtrack foreground a sense of the body in space that somehow seems absent in the incorporeal vision of a modernist future.
After the Heygate has been demolished I anticipate these pieces working in a slightly different way, like flashes of memories, of the past or perhaps like ‘La Jette’, of the future, a confusion of the past, the future and desire, a desire for modernity.
http://www.youtube.com/watch?v=1WXMp5BHZ_ohttp://www.youtube.com/watch?v=1WXMp5BHZ_oshapeimage_111_link_0shapeimage_111_link_1
This piece was screened in the adjacent ‘Elephant and Castle Shopping Centre’, rumoured to be the first shopping centre in Europe, which although unlikely, might be considered the first ‘Mall’ style shopping centre in Europe. This is a place that long since lost the sheen of the modern Mall for a chaotic mix of shops and cafes that form the centre for the local immigrant communities, largely Columbian and Nigerian. A place that has the international feel of a remote departure lounge, and shares with the Heygate a once clear and precise vision long since integrated into the chaos of circumstance.